Devesh

Devesh
Little Krishna

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Thursday, May 14, 2020

Discover India Series - 3


PULICAT LAKE AND BIRD SANCTUARY

Nature is always the best teacher and when we indulge in unwinding too; better to take the children close to nature as they learn from being part of the complete experience. In one such experience with Devesh we could visit the Pulicat Lake and Bird Sanctuary. The whole concept of a bird reserve is to create a refuge for birds and also protect from hunting and habitat destruction. It is a marvel of nature that these sanctuaries which are naturally formed, pruned by the human intervention promote the wonderful continued existence and rehabilitation of the endangered species. There are many bird sanctuaries across the world. The Walsrode Park in Germany in terms of space and species and the Jurong Bird Park in Singapore housing largest number of individual birds are spectacular (we had a fortunate opportunity of visiting the Jurong Park). But, India has got its marvels too. It is just that we need to take time out to travel around.

The climatic conditions play major role in bird migration. As the birds transport themselves from one continent to another, their life style and eating habits spill out the seeds and in the course of time foster the growth of forests. I was always intrigued by the birds and whenever read about Salim Ali, the renowned Indian Ornithologist and his explorations it seemed quite an interesting study. But as we all go through, the monotony of our regular life is an excuse to be away from little pleasures of life. We always took a strong stand to let Dev enjoy all these little delights. It was one such Sunday long drive was the visit to the Pulicat Bird Sanctuary far from the hustle of the city.

Pulicat Lake is one of the most fascinating water eco-systems in India. The brackish lagoon is 759 kms huge, which covers part of Andhra Pradesh (the major portion of the lake) and Tamilnadu. The Lake is an enchanting weekend destination and is at a drive of 95 kms from Chennai and 110 kms from Nellore. The bird sanctuary is a haven of birds which migrate for winter retreat. The climate is pleasant all through the year though the best time to visit is between October and March. The exotic drive starts from Sullurupet from where we can take 25 kms drive through the picturesque road with water on both the sides, spectacular views of birds and the joy of life time.


The biodiversity of the sanctuary is captivating as it is said to be habitat for more than 180 species of fish and prawn, scores of worms, snails, clams, sponges, crabs, insects, spiders, plankton, mussels, spiders, oysters, anemone and mollusk species. The sanctuary is thronged by Ibis, Pelicans, Herons, Painted Storks, Spoon Bills, Cormorants, Open Billed Storks, Egrets, Ducks, Garganey, Sandpipers, Gadwalls, Shovelers, Black Tailed Godvit, etc. The great attraction of the place is the Flamingos. In fact, the State Government of Andhra Pradesh organizes the three day Annual Flamingo Festival every winter at Pulicat and adjacent Nelapattu Bird Sanctuary where it is estimated that more than 12,000 birds visit the reserve. The barrier island of Sriharikota separates the lake from the Bay of Bengal. Though not allowed for public without permission, a glimpse of Satish Dhawan Space Centre at one end of the road is quite a sight to watch. Arani and Kalangi are the two rivers which feed the lagoon and the Buckingham Canal, a navigation channel, is part of the lagoon on the western side. The beautiful lake under the canopy of azure sky is a sanctuary which provides a prospect for trekking through unusual forestation special to the place, bird safari, eco tourism and aquatic sports. What else the senses would want when the nature gives a chance to rejoice and rejuvenate with bonus assortment of charming butter flies.

Dr. D. Ashalatha

Friday, May 8, 2020

Discover India Series - 2




WHAT DO VEDAS ENUNCIATE ABOUT VALUES AND WAYS OF LIFE ?


The ancient Indian wisdom, known under the generic name of the Vedas, has withstood all these centuries acid test of time so well that now their immunity from corrosion of any kind, is beyond any shadow of doubt. They form a great human heritage and universalize the universal. They are the oldest human monuments of religion, philosophy, ethics, science and literature, all rolled into one. As the most ancient documents of wisdom, they are universal in their appeal and significance, and belong to the entire humanity for all times. Vedic lore, stands alone and apart in its splendour like the pole star, shedding the divine light for the onward progress of entire humanity. Man is not destined to die as a man. He has to evolve further and further spiritually, morally and materially.

The Vedas are the oldest known human documents in terms of religion, philosophy and literature. The term Veda signifies the sacred knowledge and wisdom. These valuable monuments of Indian sacred lore and learning were composed in the dim hoary past to show the path of ultimate release from human bondage. The moksha comes in ultimately through righteousness, self-knowledge and surrender to the universal soul. As such the teachings of Vedas cut across all the imaginable boundaries of caste, creed, country, climate and age. In their appeal and application, they are universal and hence belong to all the ages and to the entire humanity.

The great German thinker Max Mueller emphatically says, “I maintain that for study of man, there is nothing in the world, which is equal in importance with the ‘Veda’. I maintain that to everybody who cares for himself, for his ancestors, for his history or for his intellectual development, a study of Vedic literature is indispensable. To the present day, India acknowledges no higher authority in the matters of religion, ceremonials, customs and law than the Vedas”.

The Vedas are generally referred to as Trayi-Vidya or the three-fold knowledge, signifying Rigveda, Yajurveda and Samveda. They deal with Jnan, bhakthi, and Karma. These are in verse, songs and prose. The Rigveda underlines the path of Jnan or knowledge, the Yajurveda that of karma or action and Samveda, the path of Bhakthi or devotion and total surrender. Atharvaveda represents a synthesis of these three. They are invariably referred to as the ‘triple eternal Vedas’ (trayam brahma sanatanam), probably because the Atharvaveda, the last one, is relatively of quite a late origin. These four together form the foundation of Indian civilization and culture, which has survived the ravages of time and successive alien invasions all these centuries only because it is based on the firm rock foundation of the wisdom of the Vedas. In order to possess a proper understanding and an insight into Indian culture, thought and wisdom. It is essential that one has a good training in the Vedas, the supreme authority and knowledge of the people.

Each of the four Vedas consists of the Samhita and the Brahmana. The Brahmanas form the commentary interpretations of the Samhitas or the original texts, which are comprised of suktas, hymns and litaries. The brahmanas are again divided into Aranyakas and the Upanishads. The Aranyakas contain the contemplation and meditation of the forest Hermits and ascetics on GOD and soul. The Upanishads or the Vedanta, attached to the Aranyakas, contain the secret doctrines and much of the ancient Indian thought and wisdom. The term ‘Upanishad’ literally means, “Setting at rest ignorance by revealing the knowledge of the Supreme Spirit”. They form the sacred doctrine whose sole aim is the exposition of the secret meanings of Vedas. They are the fountain head of the Vedanta and Samkhya philosophies. Then there are the Vedangas the auxiliary sciences known as Kalpa-sutras (or popularly known as sutras). They are aphoristic manuals on rituals, phonetics, grammar, etymology, astrology, etc.

The Vedas are called Sruthis, revelations communicated by GOD and heard but not composed or written down by the Rishis. It means to say that the knowledge of Vedas was received by the Rishis in a state of Supra-normal consciousness. It is just the same, what is proposed and upheld by the Bible. Moses was chosen by GOD Himself and on Mount Sinai He gave him the ‘law’ or what is in itself the comprehensive summary of Old and New Testaments, i.e., Ten Commandments. The same is the truth with the story of Mohammad and Islam. When the question of authorship arrives, at any point it tends to become subjective. In the same way non- authorship proclaims the universality of thoughts. Vedas too possess this peculiar universality, owing to their non-authorship. Vedic texts reflect the principle of multiplicity of Gods which is essentially a Vedic doctrine, which proclaims that all oaths lead to the same goal. The truth is one, and everyone is seeking it. The individual temperament, time, place, name, etc, create the so called differences. Indian wisdom did not believe either in regimentation of the approach to the reality or in limiting the truth. That would have meant negating the reality. That is why there is so much variety and diversity and each one is allowed to follow his own path to reality. There are many a flight of stairs leading to the same unified vision of non-duality.

Coming to the word ‘value’, unquestionably it is the desirability of a thing, often in respect of some property which has worth, merit and importance. It should ultimately be useful and exchangeable in any field because value has a relationship with the moral principles and beliefs or accepted standards of a person or social group. These values do not change with generation, but surely their magnitude and variables go through gradation. It does not necessarily mean that they have changed altogether.

Vedas are irrevocably referred to the religion – Hinduism. But what they deal is not the ‘Roll-call’ of Gods and their greatness, but the ‘reality’ which is to be realized through religion – the soul of truth, the delight of life and the bliss of mind, the fullness of peace and eternity. It is in fact the unrealized, unnoticed innermost core of man and the essence of all existence. When the prehistoric man defied natural phenomenon and offered worship to the unseen powers, he expressed his dissatisfaction with the first view of things and was conscious of a ‘beyond’. At a very early stage of his existence, man discovered that the sphere of his senses was not at all that which previously existed. The physical world was not the only reality. He was able to get closer to the infinite. The Vedas are the foundational scriptures. These ‘srutis’ are what were ‘heard’ and are to be remembered – ‘smrithi’. Sri Ramakrishna, Swami Vivekananda and Mahatma Gandhi encountered a tryst with God, and through a series of successful experiments realized that the core Vedantic philosophy aims at universality and any religion or doctrine should serve the whole humanity.

Dr. S. Radhakrishnan says, “Those who are anchored in spirit suffer for mankind as a whole, regardless of distinction of caste, class, creed or community. The truth of religion is eternal, the social forms and institutions are temporary. They have to be judged by each generation according to their capacity to implement the permanent values”.  We live in an age when creeds are shaken, dogmas are questioned and traditions are dissolving. In this world light, joy and peace can be found only through religion and that’s what these scriptures have emphasized.

Vedas comprehensively deal with the Dos and Don’ts of a human life. They make an individual truly realize and become confident about his potential and the role he has to play in balancing the entire life system in this world. In the present circumstances where even ecology is disturbed by the ignorance of a man, a primary knowledge of a secret formula called industry, perseverance and then power can be a right answer to the wide spread violence around the world. Values are not inborn qualities but passed on from generation to generation mainly with the help of education. Siksha or education must be formative more than informative and cannot have for its end mere acquisition of knowledge. Its legitimate sphere is not only to develop natural talents but also to shape them as to enable them to absorb and express the permanent values of Indian Education. These values take into account the full growth of a student’s personality, the totality of his relations and lead him to the highest self-fulfillment of which he is capable.

The ultimate aim of Indian education is to teach the younger generation to appreciate and live up to the permanent values which are flowing from the supreme art of creative life-energy as focused and represented by Sri Ramachandra, Sri Krishna, Buddha and Mahaveera. These have been expressed in modern times in their life styles and teachings by Sri Ramakrishna Paramahamsa, Swami Dayananda Sarawathi, Swami Vivekananda, Sri Aurobindo and Mahatma Gandhi. Education while equipping the student with every kind of scientific and technical training must teach the student, not to sacrifice an ancient form or attitude to an unreasoning passion for change. If an attitude can be replaced to capture the fresh spirit of the new generation, it will never be a set back to the values and standards.

Vedas, Bible and Quran proclaim support to only one attitude i.e.., “let noble thoughts come to us from every side”. All of us in this world practice values in different forms and rituals. Religion will give this a new dimension because, correct knowledge of Hinduism will make Hindus better Hindus, Christianity, Christians better Christians, and Islam, Muslims better Muslims and all of us better citizens in a consolidated nation as C.Raja Gopalachari Says in his work “Hinduism - Doctrine and Way of Life”. India has her importance in the world and knowledge of the basic elements of India’s culture would enable people to understand her better. The Government of India is secular in the sense that the state does not support one religion or the other, but is firmly pledged to impartiality towards people of all faiths. This does not mean that the people of India have given up the spiritual and moral doctrines and values in which they have been brought up, which form the basis of all their cultural and social set up. These values qualify and shape all future additions to that culture.

It is very true that agnosticism or skepticism may do no harm and on the contrary may do good to the minds of an enlightened few that find satisfaction in it. In the mass, skepticism inevitably and steadily leads to positive denial. A divorce between action and moral responsibility follows. This is not good either for the present or for the future generations. Customs gather fragrances and associations around them that are not perceived by any but those who have for generations really experienced rapturous presence of a divine supernatural HIM.

In conclusion, for all of us either theists or atheists, the only value which is foundation for everything else is the belief in the supernatural power which unquestionably guides us. Trust and faith in this value gives us confidence to practice all other values. Though there is no hand of man in the creation, the chief purpose of everyone is the preservation of values. This gives meaning to our civilization and the participation in this is what gives significance ultimately to the individual human life. But until man concentrates on the price of everything, values are sure to take a back seat in this materialistic world.

                                                                                                            Dr. D. Ashalatha
  

Thursday, May 7, 2020

Discover India Series - 1


CHANDRAGIRI

CRESCENT OF VIJAYANAGARA PRIDE

 All are architects of fate,
Working in these walls of time;
Some with massive deeds and great,
Some with ornaments of rhyme.
‘GOD’ is the supremo and our
Expression of powers and forces
We do not understand.

  


The sound and light show conducted by the Andhra Pradesh Tourism Development Corporation at Chandragiri takes us back to the age old regal precincts and ‘the soul of Chandragiri’ tells us about everything – the power, the glory and the tragedy of Vijayanagara Empire. On a starlit night, in the backdrop of nature’s beauty, with the pin drop silence, in the darkness and the focused lights an excellently composed sound show leaves an indelible mark. The crescent shaped “Hill of the Moon” Chandragiri, is located 14 kms, south of Tirupati. On this hill ‘Chandra’, the Moon God performed penance to please Lord Shiva. The place is a heaven on earth with fertile lush green fields and hillocks. A picturesque place as it is prominently has medieval reflections and temples, for Raja Rajeswari, Venugopala, Karthikeya, Shiva and especially Hanuman, the guardian deity of the Fort. A strong, beautiful fortification is at the summit as well as at the foot of the hillock.

The sound and the light show starts with suprabhatam, a prayer to wake up Lord Venkateswara. Slowly the lights come. The place is sacred. As ‘the soul of Chandragiri’ tells it is a place which staged golden and remarkable annals of history. Before anything came in here to be a part, this place was a dense forest with musical streams, the abode of the Lord of Tirumala, because all this was his Tiruvengadam, a place which destroys all ills. Alwars started Bhakti Movement, which propogated the complete surrender of one’s soul, heart and mind to the God, Almighty. The political history puts forth our eyes, the rule of Cholas and Pallavas in this area before tenth century AD. The Chola King Shakti Vetankan was a devotee of Lord Venkateswara and his wife contributed for the development of the Temple at Tirumala. She also was instrumental in setting up a smaller idol alongside the original one in the Sanctum Sanctorum on June 8th, 966 AD.

In the tenth century AD Yadava king, Immadi Narasinga Yadava Raya, who ruled Narayanavanam came to Tirumala for the darshan of Lord Balaji. While he was taking a nap, an eagle snatched away his crown; the chasing soldiers along with the eagle came to this ‘Chandragiri’. The king was fascinated by the splendour of the place and its key location. The place gained importance, as it was an ideal perview for a formidable fort. The Bhakti Movement started by Nammalvar was made famous by Ramanujacharya. He spread the spirit of Vaishnava Bhakthi. The Tirruppavai Pasurams sung by Goda Devi in Tamil make it clear that linguistically Sanskrit was losing its influence and hold to the Dravidian Languages. In 14th century AD, Harihara Raya and Bukka Raya established Vijayanagara Empire, which became a stronghold of trade, commerce, literature, prosperity and symbol of power. The founders consolidated the position, so strongly, that the kings who came later enjoyed all the benefits.

Devaraya II ascended the throne in the year 1426 AD. He was a benevolent patron for arts and literature. It is said that in his reign ‘Srinadha Kavi’ used colloquial Telugu language wonderfully. By using four words he composed a complete piece of poetry. The overwhelmed king felicitated ‘Srinadha’ by doing ‘Kanakabhishekam’ i.e., showered the poet with gold coins. When Devaraya II died in the year 1446 AD, the war of succession was a witness to bloody violence. At that time Saluva Narasimha Rayalu, was one of the provincial rulers under the rule of Virupaksha, the king of Vijayanagara Empire. Saluva commanded the respect of everyone in the Empire, who were tired of Virupaksha, an unfit ruler, given to pleasures. In the year 1485 AD Saluva dethroned Virupaksha, and ascended the Vijayanagara throne. Saluva was the reputed patron of Annamacharya, the prolific composer. Fifteenth century witnessed the glorious musical rise of Annamacharya and his devotional, devoted follower Purandaradasa, who gave new meaning to the sweetness of Telugu and Kannada languages. Their keerthanas are eternal streams of nectar, blissful blessings. 

In the sixteenth century, the Tuluva Dynasty took over the reign of the Vijayanagara Empire. Sri Krishna Deva Raya ascended the throne in 1509 AD. He was a clever administrator, brave soldier, accomplished poet and unmatched patron of Telugu literature. In his court were the eight court poets called Astadiggajas, the eight literary gems. He himself wrote Amuktamalyada by divine order. While he was in a sojourn during the Kalinga War, Lord Vishnu, ordered him in his dream to write about the love of Goda (Andal) and her marriage to Lord Ranganadha. In 1529 AD, Sri Krishna Deva Raya, on his death bed, ordered the coronation of Achyutha Raya, as the King of Vijayanagara Empire. This special coronation took place in the temple of Lord Venkateswara in October, 1529 AD.

The upheavals and ravages of time made Sadasiva Raya, the ruler. The Empire torn between wars was still resourceful and rich. This lured the rulers of Bijapur and Golconda. Chandragiri was a dumb witness to the murder of Sadasiva Raya and the destruction of ‘Hampi’. Adilshah of Bijapur attacked Penukonda, the then capital of the Vijayanagara Empire. Sri Ranga Raya had to seek refuge in Chandragiri. The immense army of Vijayanagara rulers made Adilshah turn away. At Chandragiri, this was a notable victory for Sri Ranga Raya II, who ruled from Penukonda. But, after that, Venkatapati Deva Raya II who succeeded him shifted capital to Chandragiri.

Venkatapati Deva Raya was laudable as he made the Vijayanagara Empire, an abode of peace, serenity, prosperity and happiness. As a religious tolerant ruler he gave permission to Christian Missionaries in December 1598 AD. He became quite friendly with the Portugese who even troubled the mighty Moghul rulers. During the reign of Venkatapati Deva Maha Raya of Aravidu Dynasty, the Fort was sufficiently strengthened and several royal edifices were built. The document granting the site of the Fort Saint George in Chennai to the British East India Company was signed at Chandragiri. The king accepted the demands and was taken over by the convincing promises of the Europeans. The native army which scared the Moghul army was made to bow down to keep the economic position smooth and intact. On august 22nd, 1639 AD, the document was signed. The income thus generated to save the Dynasty could not save it from down fall in the year 1642 AD. The internal warfare gave Golconda rulers a free chance to attack Chandragiri. Sri Ranga Raya III sought refuge from his once provincial ruler of Mysore. The past glory could never be revived. In 1646 AD Chandragiri was ruled by the Sultan of Golconda and later on came to be possessed by Abdul Wahab Khan, brother of Nawab of Kurnool. Hyder Ali seiged the fort in 1782 AD and thenceforth it was ruled by the Mysore Kings.

Raja Mahal and Rani Mahal are the two imposing storeyed structures, well-preserved by the Archeological Survey of India, in this Citadel. The architecture is a fine example of Indo-Saracenie style. The tower is a typical ‘Dravida Vimana’. Both the Mahals are raised on high moulded plinths and have in their lay-out a series of corridors, halls and rooms with projecting window balconies decorated with stucco work and supported by heavy corbels. The elevation is further figurined by arches, toranas as well as geometric, floral and animal motifs in fine cut plaster. No where in the entire construction do we find the use of timber. It is the singularity of this Fort. The coffered ceiling is made up of stone and brick in mortar. The edifices are built in coursed rubble masonry set in lime mortar with finely plastered surfaces.


The fort also houses a museum established in the year 1988-89 by ASI in the Raja Mahal, where the cultural vestiges are retrieved from the neighbouring Rayalaseema districts and put on show in the exhibition. The museum has a very rich collection of stone and metal sculptures. The displays in the galleries speak of watermark achievements of artisans of those times. The royal figures on display pay eloquent tribute to the mighty rulers of the Vijayanagara Empire. As the narration of ‘the soul of Chandragiri’ came to an end along with the show, the story represents the disappearance of this fabulous historical story of a beautiful little Fort in the facades of time. But the minute we step into the surroundings, an eerie feeling takes over, and the Fort makes us feel that we are already in a different world. The story and all the characters seem to come alive. The glory is distinct and the place this Fort occupies is majestic. But, honour, glory and majesty are the possession of one and the only one omniscient and omnipotent. It is only true that ‘Bhakthi’ is permanent – our complete submission to GOD.

Forts have always enchanted me and stimulated my imagination. As a pantheist I communicate with everything in nature. It was many years back that I visited the place. The care ASI has taken to develop and renovate it is appreciable. I get a touching feeling when I enter places like these – historical monuments. This fort has been a source of immense feelings of joy, admiration, sympathy and wonder. I am fortunate enough to undergo this kind of an experience, because these deliberations on life give power of endurance. Architecture is frozen music. As Voltaire said, “By appreciation we make excellence in others our own property”; memories to treasure and thoughts to gift.

Dr. D. Ashalatha